![]() ![]() For sale is a DVD is signed limited edition. Only the film Kusamas Self-Obliteration can today still give an idea of the energy and radicality with which Yayoi Kusama provoked the New York art world. Smooth transition." – Robert Nelson, Canyon Cinemanews. Born in Japan in 1929, Kusama came to the United States in 1957 and quickly found herself at the epicenter of the New York avant-garde. ![]() Dots move in psychedelia which moves into orgy. The artist has experienced hallucinations since she was ten years old, and she confronts her fears and anxieties through a process she describes as self. Well known for her use of dense patterns of polka dots and nets, as well as her intense, large-scale environments, Yayoi Kusama works in a variety of media, including painting, drawing, sculpture, film, performance, and immersive installation. "Yayoi Kusama, a crazy Japanese chick, puts dots on the whole world. The techniques of superimposition, a mere gimmick in most films, is an apt formal analogue for the dissolution of discreteness, for the meshing-merging of identities in the last orgiastic section of SELF-OBLITERATION – we are confronted with an atomistic collection of figures interacting but one emergent, undulating Meat-Cloud-Being." – Paul Sharits. Mandalic (magic circle meditational form used to concentrate attention to a spiraling in/to a point through which new, expanded awareness is possible. Description Details Shipping & Returns This rare poster, featuring the work of Yayoi Kusama is from an exhibition at the Louisana Museum of Modern Art, Denmark 2015. "The obsessive act of covering (destruction of boundaries-identities) gradually equivalent to the ritual of uncovering (Striping away of ego) individual self, destroyed in mask/parody/clustering, is transcended. Yayoi Kusama Self Obliteration by Dots, 1968 Framed Poster Write a review 1,250 Non-Member Member and other discounts do not apply. ![]() A film exploration of the work and aesthetic concepts of Yayoi Kusama, painter, sculptor, and environmentalist, conceived in terms of an intense emotional experience with metaphysical overtones, an extension of my ultimate interest in a total fusion of the arts in a spirit of mutual collaboration. ![]()
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